That Floating Poo Was Way Too Symbolic! It's the TV Disappointments of the Past Year.

As we reflect on the TV landscape of the past year, a handful of shows stand out not for their brilliance, but for their notable shortcomings. Ranging from cringe-inducing spin-offs to bafflingly poor documentaries, here are the productions that had us utterly bewildered or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this love/hate follow-up? Plagued with woeful writing, painful arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series struggled to justify its existence. For a moment, as the final season started, it looked like it had at last found its groove. Then arrived an installment all about Seema’s natural deodorant. No wonder the creator announced this would be the last season. It concluded on a low point; the lingering shot of Miranda’s toilet flooded with poo was simply too symbolic. Yet, viewers certainly found joy dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who didn’t release a little sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the smallest of this show's problems. The recipient of a exceedingly uncommon no-star review, it was difficult to know where to start enumerating the problems. The laughably wooden dialogue? The mind-numbing veneration of affluence and materialism? The seemingly wilful parade of tropes? Acting so poor they felt almost malicious? Let’s just say “all of the above” and never speak of this series again. Except, a second season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Considering the legal troubles, domestic violence claims and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this three-part documentary which smirked its way at Sheen’s various bouts of reckless hedonism while struggling to tell us a single thing we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any sympathy this series might evoke should be saved for the people who have had to endure proximity with this charming but dismissive egotist.

The Iris Affair

Naturally we understood it was ridiculous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer love for its stars … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.

The Gangster Drama

Dodgy figures meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

Actually, that is unfair on the crime shows of the late 90s. Many look a bit dated now, but at least they didn’t suffer the ignominy of having to indulge baffling accents. But there were plenty of other problems. Primarily that it was just really boring; a dispute over drug-selling territory between various cockney picaresques which seemed a bit basic.

With Love, Meghan

Considering the extent to which she grinds the gears of certain ostentatiously angry commentators, it’s almost easy to applaud the Duchess of Sussex’s televised ventures into twee lifestyle as intentional statements. But then you watch them and are forced to admit that in this case, they may have a point. It’s like watching a homeware catalogue animated; a meme for wine o’clock with delusions of grandeur; a parade of sleeping dogs, buzzing beehives, sentimental platitudes and forgettable crafting “tips” you’ll forget instantly. All underpinned by vast, largely unearned wealth. Ugh.

Victoria Beckham

There are obviously fascinating things to be discussed about both Victoria Beckham and her journey with career, identity, self-worth. But for some reason, this three-part series chose not to say them. Rather, the experience was like consuming a sales brochure. She clearly has good reason to resent what she describes as her “miserable cow” image. But sadly, she didn’t do herself any favours with this guarded letdown of a series.

The Game Show

It had the potential to be the next big hit – except even camper, with a glamorous star playing dead and a sharp-tongued personality managing her estate. What more could you want? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s still too complicated to detail what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a production that was trying way too hard to live up to something far greater than it.

Too Much

How does one follow a show that captured a generation? The pressure was immense for this glitzy romcom about Jessica, a hopeful New Yorker who lands in London with a broken heart. The star took her biggest role by the horns and was a delight to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of celebrity friends involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the smart inclusion of gifted emerging comics, hopes were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the thought that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this was not it. The material needed to be handled sensitively. Instead, the series laboured awkwardly to find the right voice, lumbering from oddly jaunty, slightly stylised farce to inevitably, real-life horror. Twisted? Perhaps. A complete mess? Very much so.

The Maths Genius Thriller

We love the star … but did we believe him playing the most brilliant maths genius in history, a man so smart he’s on the verge of a breakthrough that could ruin society? Nope! This international thriller about government agencies targeting – and eliminating – academics honestly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality renowned for explicit escapades as she undertook her biggest feat yet. What on earth would possess her? What we wanted was far greater interrogation of her actual psychology, plus those of the men in the line. They could at least have spoken to the legendary mum who showed up to haul her son away from the queue. What we got was disturbing shots and zero interrogation of her notoriety whatsoever. And to think, the documentary-maker has a young daughter too.

Michael Clark
Michael Clark

A software engineer and tech enthusiast with over a decade of experience in AI and web development, passionate about sharing knowledge.